![big l put it on necro beat big l put it on necro beat](https://rareandobscuremusic.files.wordpress.com/2019/06/return-of-the-devils-son-.jpg)
It makes sense that Goblin’s theme proved such a successful sample for RJD2 and Cage it’s the perfect blend of technical artistry and moody aura that’s present throughout both artists’ discographies. In 2003, producer RJD2 introduced Goblin’s masterpiece into the Hip Hop lexicon with Cage’s “Weather People.” What made “Weather People” work is how well RJD2 maintained the eeriness of Goblin’s original track, speeding up the main groove and bumping up the thundering bass line. While the frenzied visuals and shocking story make the film a certifiable classic, part of the reason that Suspiria is so effective is Italian prog-rock group Goblin’s swirling, ominous score. Perhaps Argento’s best work during that era is 1977’s Suspiria, which follows the story of an American ballerina studying in Italy who learns that the dance school she attends is home to a murderous coven of witches. At the forefront of the pack was director Dario Argento, who put audiences on the edge of their seats with his visually stunning and brutally violent giallo films. Samples: Goblin, “Suspiria” (1977), from SuspiriaĪny fan of horror cinema knows that during the 1970s, Italy’s horror industry was on a whole different level of weird. Song: Cage, “Weather People” (2003), produced by RJD2 See Also: TRU, “Hoody Hooo” (1999), produced by Beats By the Pound. It wasn’t the first time – and not the last by a long shot – that someone in Hip Hop sampled Carpenter’s iconic music, but you’d be hard pressed to name someone that did better than Dre. Roq got their verses straight out of Camp Crystal Lake. It also helps that guest emcees Hittman and Ms. What makes “Murder Ink” so good is that the Good Doctor upheld the simplicity of Carpenter’s original theme, shifting the piano into a head-nodding 4/4 meter and laying it over thumping drums and high-pitched strings. Dre flipped this iconic piece of music into a dark and gritty anthem for 1-8-7 on 1999’s “Murder Ink.” That being said, it makes sense that none other than the great Dr. The sparse piano melody and ominous strings set the perfect mood for Michael Meyers’ murderous rampage and helped establish Halloween as the paragon of slasher flicks.
Big l put it on necro beat movie#
John Carpenter’s soundtrack to his revolutionary Halloween might be the quintessential horror movie theme song. Samples: John Carpenter, “Halloween Theme” (1978), from Halloween Roq, “Murder Ink” (1999), produced by Dr. So in honor of Halloween this year, HipHopDX decided to give you an audio tour of some of Hip Hop’s great horror movie sample flips.
![big l put it on necro beat big l put it on necro beat](https://www.realstreetradio.com/wp-content/uploads/2021/02/20210215_602b00fba7d04.jpg)
Over the years, countless producers have looked to horror cinema for some of the most neck-snapping beats produced. Even non-horrorcore artists like Snoop Dogg’s attempts to bridge the two genres soundly flopped, leaving fans with the bitter taste of 2001’s Bones in its wake.īut that tenuous connection hasn’t deterred some of Hip Hop’s finest. While mid-‘90s acts like the Gravediggaz, Prince Paul’s Horror City and (to a certain extent) Big L managed to use horror’s motifs to their advantage, Horrorcore has never been able to shake its association to critically reviled acts like the Insane Clown Posse. Horror and Hip Hop have never been the best of bedfellows.